
Mon Sep 22 14:56:21 UTC 2025: Okay, here’s a summary of the provided text and a rewrite as a news article, formatted accordingly:
**Summary:**
The provided text from The Hindu website dated September 22, 2025, describes how artist Rajendran Vadakkepadath created an anamorphic art tribute to actor Mohanlal upon learning of Mohanlal’s Dadasaheb Phalke Award win. The article details the process, the artist’s previous work with anamorphic art and other artistic mediums (leaf cutting, letter art), and explains the nature of anamorphic art as well as the challenges and historical uses of the art form.
**News Article:**
**Mohanlal Honored with Anamorphic Art Tribute Following Dadasaheb Phalke Award**
*By The Hindu Staff*
*Published: September 22, 2025 08:26 pm IST*
*Palakkad* – Celebrated artist Rajendran Vadakkepadath has created a stunning anamorphic artwork as a tribute to actor Mohanlal, following the announcement of Mohanlal’s Dadasaheb Phalke Award win. The artwork, completed over 15 hours, utilizes acrylic paints and Rajendran’s expertise in the complex art form to depict Mohanlal in a unique and visually striking manner.
“I wanted to do something unique to celebrate the occasion,” Rajendran said. “I thought giving life to Mohanlal in the anamorphic art form would be apt.”
Anamorphic art, known for presenting distorted images that resolve into a recognizable form when viewed from a specific angle or through a curved mirror, has long intrigued Rajendran. This is not his first foray into this specialized art form, he has previously created anamorphic pieces featuring Mohanlal’s character Kunhali Marakkar, and Tamil stars Suriya and Rajinikanth. He is also known for leaf cutting and letter art tributes to Diego Maradona, Lata Mangeshkar, Mohammed Rafi and Tovino Thomas.
Rajendran explained that while anamorphic art has a rich history, potentially originating in ancient China, its inherent complexity makes it a less common practice among artists. He revealed that he stretches the image to fit a 270-degree view. When reflected in a 90-degree cylinder, the image looks normal again. “The idea is simple, but it needs a lot of patience to get it right,” he said. He uses a steel pipe as a safe viewing aid. “Cylindrical glass mirrors are risky,” he explained. “They can break if not handled carefully.”
Rajendran hopes his anamorphic tribute will not only honor Mohanlal’s achievements but also inspire other artists to explore the potential of this fascinating and challenging art form.