Thu Apr 02 15:26:53 UTC 2026: ### Theatre Personality Prasanna Rejects Government Grant, Cites Inadequate Support for IIET

The Story:
Noted theatre personality Prasanna, former director of Rangayana, has publicly rejected a ₹75,000 grant sanctioned by the State government to the Indian Institute of Educational Theatre (IIET) in Mysuru. He expressed his disappointment during a national theatre workshop held at the IIET, stating that the amount was significantly less than what is allocated to some amateur theatre groups. Prasanna emphasized that the IIET has been operating for the past four years through personal contributions and public donations, and asserted the institute’s independence from government funding.

Key Points:

  • Prasanna rejected a ₹75,000 grant from the State government for the Indian Institute of Educational Theatre (IIET).
  • He criticized the grant as being inadequate compared to funding received by amateur theatre groups.
  • The IIET has been functioning for four years through personal contributions and public donations.
  • Prasanna clarified that the IIET is open to collaborations with the government, but will not actively seek funding.
  • He lamented the lack of access theatre artists have to policymakers, contrasting it with the ease of access enjoyed by film stars.
  • Prasanna stated that the IIET is entirely self-funded and does not receive government funding for its activities.
  • He criticized the undermining of theatre by those in power and emphasized the importance of respecting actors and theatre as an art form.

Key Takeaways:

  • The incident highlights a potential disparity in government funding allocation between established institutions and amateur groups within the theatre community.
  • It underscores the challenges faced by theatre artists in gaining recognition and access to policymakers, particularly compared to those in the film industry.
  • Prasanna’s stance reflects a commitment to the independence and self-reliance of the IIET, while remaining open to collaborative opportunities.
  • The rejection of the grant serves as a public statement on the perceived undervaluation of theatre as an art form by the government.
  • The situation raises questions about the sustainability of independent arts institutions and the role of government support in their survival and growth.

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