Wed Dec 31 08:15:59 UTC 2025: Here’s a summary and rewritten news article based on the provided text:

Summary:

An artwork by Tom Vattakuzhy displayed at the Kochi Muziris Biennale in Kochi, Kerala, has sparked controversy due to its alleged misrepresentation of Leonardo da Vinci’s “The Last Supper.” The Syro-Malabar Church and the Bharatiya Janata Party’s Minority Morcha have condemned the artwork, leading to temporary closure of the venue due to protests. The Kochi Biennale Foundation, however, defends the artwork, emphasizing artistic freedom and the broader context of storytelling within the exhibition. The curators are seeking support from authorities to address objections while upholding the principles of artistic expression.

News Article:

Controversy Erupts at Kochi Biennale Over Alleged ‘Last Supper’ Misrepresentation

KOCHI, KERALA – December 31, 2025 – The Kochi Muziris Biennale has become embroiled in controversy following complaints regarding an artwork by artist Tom Vattakuzhy displayed at the “Edam” exhibition. The artwork, part of Vattakuzhy’s extensive collection of narrative paintings and illustrations, is accused of misrepresenting Leonardo da Vinci’s iconic “The Last Supper,” triggering protests from religious and political groups.

The Syro-Malabar Church in Kerala issued a statement condemning the artwork, alleging it distorted the Last Supper scene and questioning whether its display at the Biennale was intentional. The Bharatiya Janata Party’s Minority Morcha has demanded legal action against what they deem a “wrong portrayal of religious belief.” The exhibition venue at the Garden Convention Centre was temporarily shut down on Tuesday, December 30th, due to the escalating protests.

The Kochi Biennale Foundation is standing by the artwork, asserting that its removal would constitute censorship and undermine the exhibition’s commitment to artistic freedom and cultural dialogue. The Foundation emphasized that Vattakuzhy’s work is intended to be viewed within the broader context of storytelling, illustration, and visual expression.

“Taking down the work would amount to restricting artistic expression and could be perceived as an act of censorship,” stated Bose Krishnamachari, president of the Kochi Muziris Biennale.

Curators K. M. Madhusudhanan and Aishwarya Suresh have requested support from authorities to navigate the discourse and objections arising from the controversy, while maintaining the exhibition’s principles.

The incident raises critical questions about the boundaries of artistic freedom and the potential for art to spark religious and political tensions. The Biennale organizers are now tasked with balancing the diverse viewpoints while ensuring the exhibition’s continued operation and artistic integrity.

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