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Dulquer Salmaan’s ‘Kaantha’ Aims for Classic Cinema, But Falls Short in Storytelling
Chennai: Dulquer Salmaan’s latest film, “Kaantha,” has hit theaters, promising a vintage drama set in the 1950s Madras film industry. While the film boasts strong performances, stunning visuals, and an intriguing premise, critics are divided on its overall impact.
The film centers on the conflict between veteran director Ayya (Samuthirakani) and rising star D.K. Mahadevan (Dulquer Salmaan) during the making of a film initially titled “Shantha.” Their creative differences escalate, leading to the project’s abandonment, only to be revived under pressure from Modern Studios. The situation is further complicated by a budding romance between Mahadevan and Kumari (Bhagya Shree Borse), the film’s new lead actress, which is opposed by Ayya. Tragedy strikes when Kumari is murdered on the studio lot. Inspector Phoenix (Rana Daggubati) investigates the case, unraveling a web of secrets and hidden motives.
The movie is rumored to be inspired by the life of Tamil superstar M.K. Thyagaraja Bhagavathar, who starred in the box office record breaker “Haridas” (1944) and was embroiled in the Lakshmikanthan murder case.
While “Kaantha” succeeds in recreating the atmosphere of the era, some critics say the film’s narrative falters. Reviewers praised the film’s opening, which immediately grabs the attention of audiences and sets the stage for a compelling crime drama. However, the film slowly loses steam. The second half of the film is supposed to improve due to the plot twist at the intermission, but the long investigation scenes that follow are tedious. The 2 hour and 43 minute runtime doesn’t help the slow pace of the film.
“Kaantha” features an impressive cast, with Dulquer Salmaan delivering a performance worthy of national recognition. Bhagya Shree Borse is also given the chance to shine, and Samuthirakani aptly portrays the role of a mentor scorned. Rana Daggubati delivers in his role as Inspector Phoenix, with one scene featuring his character talking about the slow pace of the movie that reflects how the audience feels as well. Danee Sanchez-Lopez’s cinematography is also noted as a high point, and the production design effectively transports viewers to the 1950s.
Despite these strengths, some argue that the script fails to fully explore the motivations of its characters. The reasons behind Ayya’s animosity towards his protégé, and Kumari’s seemingly contradictory feelings for Mahadevan, are not clearly established.
Ultimately, “Kaantha” is described as a visually stunning film with a vintage aesthetic, but hampered by a slow pace and underdeveloped plot. While it may not appeal to all audiences, it is a film that showcases the dedication of its director and the talent of its cast, leaving a lasting impression on those who appreciate ambitious and unconventional storytelling.
First Piper 