Tue Jul 15 05:54:22 UTC 2025: Here’s a summary of the text and a rewritten version as a news article, followed by the requested sections of other news
**Summary:**
The Ojas Art Gallery in Mehrauli is hosting an exhibition titled “Paper Whispers” featuring the artwork of 61-year-old Lado Bai, a Bhil tribe member. Her work uses charcoal to depict tribal life, folklore, and the importance of nature. The exhibition highlights her artistic journey, adaptation to changing times, and her efforts to preserve cultural beliefs and practices. It provides urban audiences with a window into the social structures and traditions of the Bhil community.
**News Article:**
**Delhi Gallery Showcases Bhil Artist’s Charcoal Visions: “Paper Whispers” Offers Glimpse into Tribal Life**
**New Delhi, July 15, 2025** – The Ojas Art Gallery in Mehrauli is currently exhibiting “Paper Whispers,” a collection of works by renowned Bhil artist Lado Bai. The exhibition, which opened this week, offers a captivating window into the vibrant culture and traditions of the Bhil tribal community through the evocative medium of charcoal.
Lado Bai, 61, meticulously creates her artwork using a unique dye made from ground charcoal and Dhavda resin. Her pieces depict scenes of daily life, tribal festivals, and the natural world, reflecting both the enduring traditions and the evolving landscape of her community. From depictions of the Bhagoria festival, celebrating young love, to renditions of traditional Gondna tattoos and the devotional Pithora paintings, Lado Bai’s art provides a rich tapestry of Bhil heritage.
“During a conversation with Lado Bai years ago, she mentioned that as a child, she often worked with charcoal; but over the years she stopped because they had no takers,” says Anubhav Nath, director of the Ojas Art Gallery and the exhibition’s creative curator, highlighting the significance of bringing her charcoal work to the forefront.
The exhibition also showcases how Lado Bai’s art has adapted to reflect changing times, incorporating modern elements like tractors and school buses alongside traditional motifs. One striking piece features a painting on Khadi, symbolizing the convergence of tradition and modernity.
“Paper Whispers” acknowledges the struggles of Lado Bai’s artistic journey, and how she adapted and retained her curiosity about cultural beliefs and practices of her community as well.
Independent art researcher Shaleen Wadhwana lauds Lado Bai’s work for providing a vital connection between urban audiences and the often-overlooked lives of tribal communities. The exhibition runs until August 1st at the Ojas Art Gallery, located at 1AQ, Near Qutb Minar, Mehrauli.
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