Sun Mar 30 12:30:00 UTC 2025: **Beyoncé Snubbed Again: Country Music Awards Omit Grammy-Winning “Cowboy Carter”**
NASHVILLE, TN – Despite winning Album of the Year and Best Country Album at the 2025 Grammy Awards, Beyoncé’s groundbreaking country album, “Cowboy Carter,” has been overlooked by the Academy of Country Music (ACM) Awards. The nominations, announced Thursday, conspicuously omitted Beyoncé from any category, marking a second consecutive snub following her exclusion from the 2024 CMA Awards.
“Cowboy Carter,” a chart-topping success, garnered widespread acclaim and multiple Grammy nominations, including wins for Album of the Year and Best Country Album, making Beyoncé the first Black woman to achieve the latter. The album’s singles, such as “Texas Hold ‘Em” and “II MOST WANTED” (featuring Miley Cyrus), also received Grammy recognition.
ACM CEO Damon Whiteside acknowledged the omission, stating to Billboard that while they “love that Beyoncé is in the country genre,” they had hoped for her inclusion. He extended an open invitation for Beyoncé to perform at the ACM Awards.
Previous explanations for Beyoncé’s exclusion from country music awards have centered on her limited involvement within the country music community, despite the success of “Cowboy Carter.” This argument, however, is countered by the multiple nominations received by Post Malone, another artist with a primarily non-country background, for his country debut album.
The debate surrounding Beyoncé’s snubs has sparked commentary from prominent figures in the country music industry. Luke Bryan previously suggested that greater engagement with the country music community would enhance her chances of recognition, while Kelly Clarkson expressed surprise at the omissions. Beyoncé herself previously discussed facing resistance when trying to enter the country music genre years before releasing “Cowboy Carter,” stating that the album was a result of overcoming limitations placed upon her.
The ACM Awards’ failure to recognize “Cowboy Carter” adds another layer to the ongoing discussion of representation and genre boundaries within country music.
First Piper 