Fri Jan 31 01:11:22 IST 2025: ## Ilaiyaraaja’s Valiant Symphony: A Maestro’s Journey Beyond Film
**Chennai, India –** Celebrated Indian composer Ilaiyaraaja, in an exclusive interview with The Hindu, discussed his highly anticipated symphony, *Valiant*, set for release on March 8th. The symphony, a collaborative effort with the Royal Philharmonic Orchestra, marks a significant milestone, making Ilaiyaraaja likely the first Indian and possibly the first Asian musician to compose a full-fledged symphony in the Western classical tradition.
Ilaiyaraaja emphasized his deliberate effort to distance himself from his established identities – as a Tamil village native, a prolific film composer, and an admirer of Western classical masters – while composing *Valiant*. He clarified that his intention was to create a purely symphonic work, free from influences that might lead to accusations of copying existing compositions. He detailed the rigorous structure and form of a symphony, comparing it to the elements of Carnatic music.
The composer refuted claims that his previous film scores contained symphonic elements, emphasizing the distinct differences between film music and a standalone symphony. He stressed that while he drew inspiration from great composers, there was no direct copying or influence on *Valiant*. He highlighted the overwhelmingly positive response he received from world-renowned conductors, emphasizing the perfection and innovation of the piece. The symphony, completed in just 34 days, surprised even the most experienced critics.
Ilaiyaraaja also addressed the mislabeling of various Indian musical performances as symphonies, clarifying the true meaning of the form and criticizing the lack of a strong symphonic tradition in India. He pointed to the absence of comparable orchestras in India compared to those found in London, highlighting the need for governmental support to develop such a musical ecosystem. He expressed openness to performing *Valiant* live in India with adequate funding and support. Finally, he reiterated that while some might interpret his film music as evoking pathos, his compositions are open to subjective interpretations. His goal is to convey emotion, with final interpretation left to the listener.
First Piper 